Detroit Shoreway
It's not that younger Clevelanders don't appreciate classic art forms like ballet, fine art, literature or the symphony. It's that they don't necessarily appreciate the medium. To engage new audiences, traditional arts institutions are working hard to make their art forms more accessible, less intimidating, and just plain fun.
Rumors of the death of U.S. manufacturing have been greatly exaggerated. As the industry mounts a comeback in Cleveland and other cities, growing companies are discovering it's not easy to find qualified employees. In short, jobs once left for dead are now hard to fill.
In part, the skills gap exists because a generation of workers has been inculcated with the notion that manufacturing is filled with get-your-hands-dirty, dead-end jobs. On the other hand, the traditional model of high school vocational education does not do enough to meet the needs of tech-savvy manufacturers. Today's factories are as likely to be filled with computers as hulking, greasy machines, owners say.
To plug the gap, the Cleveland Metropolitan School District will soon break ground on a new, 165,000-square-foot campus for Max Hayes High School, a vocational school currently at W. 45th and Detroit. The new building will serve up to 800 students -- a one-third increase -- and feature state-of-the-art labs and new academic classrooms to prepare students for today's manufacturing jobs.
"We want to spread the idea that if you go to Max Hayes, you will get a job that can support your family," says Phillip Schwenk, Principal of Max Hayes. "Your job is relevant and it matters. We're trying to transform ourselves into a modern, global institution that really understands the needs of global industry."
The $40 million campus, which will break ground next year and is slated to be completed in 2015, will feature exposed construction elements such as ductwork, columns and steel beams to emphasize the city's manufacturing heritage. Located at W. 65th and Clark, the school will benefit from its proximity to local businesses, the partners involved believe.
"What comes out of this is a beautiful relationship with all of these businesses on the west side looking for people to work there," says Ward 15 Councilman Matt Zone, who represents the Stockyards neighborhood where Hayes will be built.
Project partners include representatives from manufacturing companies as well as organizations such as WIRE-Net, a Cleveland-based advocacy group. They will come together to create the Friends of Max Hayes to support the school.
Source: Phillip Schwenk, Matt Zone
Writer: Lee Chilcote
In part, the skills gap exists because a generation of workers has been inculcated with the notion that manufacturing is filled with get-your-hands-dirty, dead-end jobs. On the other hand, the traditional model of high school vocational education does not do enough to meet the needs of tech-savvy manufacturers. Today's factories are as likely to be filled with computers as hulking, greasy machines, owners say.
To plug the gap, the Cleveland Metropolitan School District will soon break ground on a new, 165,000-square-foot campus for Max Hayes High School, a vocational school currently at W. 45th and Detroit. The new building will serve up to 800 students -- a one-third increase -- and feature state-of-the-art labs and new academic classrooms to prepare students for today's manufacturing jobs.
"We want to spread the idea that if you go to Max Hayes, you will get a job that can support your family," says Phillip Schwenk, Principal of Max Hayes. "Your job is relevant and it matters. We're trying to transform ourselves into a modern, global institution that really understands the needs of global industry."
The $40 million campus, which will break ground next year and is slated to be completed in 2015, will feature exposed construction elements such as ductwork, columns and steel beams to emphasize the city's manufacturing heritage. Located at W. 65th and Clark, the school will benefit from its proximity to local businesses, the partners involved believe.
"What comes out of this is a beautiful relationship with all of these businesses on the west side looking for people to work there," says Ward 15 Councilman Matt Zone, who represents the Stockyards neighborhood where Hayes will be built.
Project partners include representatives from manufacturing companies as well as organizations such as WIRE-Net, a Cleveland-based advocacy group. They will come together to create the Friends of Max Hayes to support the school.
Source: Phillip Schwenk, Matt Zone
Writer: Lee Chilcote
Valerie Mayen is both nervous and excited as she talks about taking Yellowcake, the independent clothing company she built from the ground up, from pop-up to permanent. In March, the 31-year-old Texas native, who came to Cleveland to study at the Cleveland Institute of Art and appeared on Season 8 of "Project Runway," will double her current retail space at W. 65th Street and Detroit Avenue in the Gordon Square Arts District.
Yellowcake's new 1,500-square-foot space will offer expanded clothing lines, more menswear and additional kids' clothing. Mayen also will teach classes and offer shared workspace. D-day will be in January when Mayen punches through the wall of the former podiatry office next door. When the dust settles, she'll outfit her shop with new lighting, flooring, paint, sewing equipment and shared work stations.
"We've been here for 18 months as a pop-up store, and we decided to stick it out because we love the neighborhood," says Mayen. Although sales of her higher-end, locally-made women's dresses, coats and clothing haven't been what she hoped, she inked a three-year lease out of confidence in the area's upswing. "We're working our asses off to make this corner spot look amazing," she says.
Mayen also benefited from a $10,000 grant from Detroit Shoreway Community Development Organization's inaugural Best Business Plan Competition. She will receive free rent during the buildout followed by a graduated payment schedule. The competition was funded by Councilman Matt Zone and Charter One Bank.
Mayen's long-planned co-working space for entrepreneurs in the fashion industry, Buzz and Growl, will take up residence in Yellowcake's new headquarters. She will sell a handful of memberships initially and plans to offer classes and tours as well.
Mayen urged her fellow Clevelanders to shop local and independent businesses during the holiday season -- and beyond. "People are conditioned to think that Forever21 and H&M prices are the norm. I recognize that $98 for a cotton dress is a lot. Honestly, our prices should be about 20 percent higher. We don't put them higher because I understand that there's a price people are willing to pay."
While she's excited about her new permanent store, the ambitious designer, who has built Yellowcake with her own sweat equity and hard cash, is not one to rest. "I'm happy with who we are, what we are and where we're at... ish," she says.
Source: Valerie Mayen
Writer: Lee Chilcote
Yellowcake's new 1,500-square-foot space will offer expanded clothing lines, more menswear and additional kids' clothing. Mayen also will teach classes and offer shared workspace. D-day will be in January when Mayen punches through the wall of the former podiatry office next door. When the dust settles, she'll outfit her shop with new lighting, flooring, paint, sewing equipment and shared work stations.
"We've been here for 18 months as a pop-up store, and we decided to stick it out because we love the neighborhood," says Mayen. Although sales of her higher-end, locally-made women's dresses, coats and clothing haven't been what she hoped, she inked a three-year lease out of confidence in the area's upswing. "We're working our asses off to make this corner spot look amazing," she says.
Mayen also benefited from a $10,000 grant from Detroit Shoreway Community Development Organization's inaugural Best Business Plan Competition. She will receive free rent during the buildout followed by a graduated payment schedule. The competition was funded by Councilman Matt Zone and Charter One Bank.
Mayen's long-planned co-working space for entrepreneurs in the fashion industry, Buzz and Growl, will take up residence in Yellowcake's new headquarters. She will sell a handful of memberships initially and plans to offer classes and tours as well.
Mayen urged her fellow Clevelanders to shop local and independent businesses during the holiday season -- and beyond. "People are conditioned to think that Forever21 and H&M prices are the norm. I recognize that $98 for a cotton dress is a lot. Honestly, our prices should be about 20 percent higher. We don't put them higher because I understand that there's a price people are willing to pay."
While she's excited about her new permanent store, the ambitious designer, who has built Yellowcake with her own sweat equity and hard cash, is not one to rest. "I'm happy with who we are, what we are and where we're at... ish," she says.
Source: Valerie Mayen
Writer: Lee Chilcote
Recent transplants to Cleveland arriving from so-called "big-ticket" metropolitan markets say that they are experiencing appreciable cost savings in terms of housing, transportation, entertainment and food. And that translates to a better standard of life with little lost in terms of quantity and quality of offerings.
It's crunch time, folks! In less than three weeks, the 2012 holiday season will be a memory. We feel your pain. To help, we've stitched together a provocative assortment of gift ideas that should knock out your list in no time flat. This year, keep it fresh, keep it tasty, keep it local.
To be truly successful at neighborhood redevelopment, CDCs must change how they do business, says Joel Ratner, president of Neighborhood Progress Inc. They must adopt a holistic strategy that combines bricks-and-mortar development with high-performing schools, social services, and other amenities that residents need and want.
vision for local food system outlined in artsy animation
This animated video premiered at the 4th Annual Sustainable Cleveland Summit in September.
"It illustrates the vision for a local and sustainable food system in the Cleveland region, and how people can get involved," explains Jenita McGowan of the Mayor's Office of Sustainability "As part of the Sustainable Cleveland 2019 year of local foods celebration, we wanted to create a video that is fun, simple and easy to understand. It is our goal that this video resonates specifically with residents of Northeast Ohio using recognizable icons, such as the West Side Market.”
This animated video premiered at the 4th Annual Sustainable Cleveland Summit in September.
"It illustrates the vision for a local and sustainable food system in the Cleveland region, and how people can get involved," explains Jenita McGowan of the Mayor's Office of Sustainability "As part of the Sustainable Cleveland 2019 year of local foods celebration, we wanted to create a video that is fun, simple and easy to understand. It is our goal that this video resonates specifically with residents of Northeast Ohio using recognizable icons, such as the West Side Market.”
After 35 years producing theatrical performances in rented spaces, the Near West Theatre finally is getting its own place. The community theater broke ground on its first-ever permanent home on November 27, and its supporters are happily looking ahead to the first show at the stand-alone building.
It will be about two years before the Detroit-Shoreway theater opens at W. 67th Street, just north of Detroit, says chief operating officer Hans Holznagel. Until then, Near West Theatre will continue to operate out of its longtime rented home on the third floor of a hall owned by St. Patrick's Church at W. 38th Street and Bridge Avenue in Cleveland's Ohio City neighborhood.
The new 25,000-square-foot theater will have extra seating and increased stage space. It also will have rehearsal space and air conditioning, two amenities the current facility has done without for years.
"It opens up all kinds of possibilities for us," says Holznagel.
Hundreds of people from the Gordon Square Arts District, the Detroit Shoreway neighborhood and the local theater community were invited to celebrate the theater's groundbreaking. The project will cost nearly $7 million -- a portion of the $30 million Gordon Square Arts District campaign set aside to revitalize the Detroit Shoreway neighborhood using the arts as an economic catalyst.
A new space won't detract from the intimacy that Near West Theatre shows are known for, promises Holznagel. When it opens in fall 2014, the space will offer the professionally produced, large-scale shows long-time fans have grown to love.
"We're excited to be part of a diverse, vibrant community that matches with the mission of our theater," Holznagel says.
SOURCE: Hans Holznagel
WRITER: Douglas J. Guth
It will be about two years before the Detroit-Shoreway theater opens at W. 67th Street, just north of Detroit, says chief operating officer Hans Holznagel. Until then, Near West Theatre will continue to operate out of its longtime rented home on the third floor of a hall owned by St. Patrick's Church at W. 38th Street and Bridge Avenue in Cleveland's Ohio City neighborhood.
The new 25,000-square-foot theater will have extra seating and increased stage space. It also will have rehearsal space and air conditioning, two amenities the current facility has done without for years.
"It opens up all kinds of possibilities for us," says Holznagel.
Hundreds of people from the Gordon Square Arts District, the Detroit Shoreway neighborhood and the local theater community were invited to celebrate the theater's groundbreaking. The project will cost nearly $7 million -- a portion of the $30 million Gordon Square Arts District campaign set aside to revitalize the Detroit Shoreway neighborhood using the arts as an economic catalyst.
A new space won't detract from the intimacy that Near West Theatre shows are known for, promises Holznagel. When it opens in fall 2014, the space will offer the professionally produced, large-scale shows long-time fans have grown to love.
"We're excited to be part of a diverse, vibrant community that matches with the mission of our theater," Holznagel says.
SOURCE: Hans Holznagel
WRITER: Douglas J. Guth
Caley Coleff first began collecting vintage furniture from flea markets with her grandfather when she was a little girl. Once the furniture was home, she'd watch her grandfather refinish it, absorbing his techniques even when he thought she wasn't paying attention.
This month, Coleff unveiled a vintage store that pays tribute to those early experiences while adding her own unique twist. Located at 11102 Detroit Avenue in Cudell, Heck's Revival is named after her grandfather, whose last name was Heck.
"I started doing stuff from my home because you can't afford nice, well-made furniture anymore," she explains. "If you buy something it's the cheapo [stuff] that falls apart. I had a lot, so I started doing custom orders and selling to friends. I never realized I was actually good at it, I was just making stuff that I liked."
Then Coleff met her business partner, Jill Krznaric ("It's Croatian, even though I'm not"), and a business idea was born. Krznaric is into retro items like old barstools, while Coleff likes to take French Provincial furniture and paint it with cool designs. Together, they found a space with hardwood floors that they liked and signed a lease.
"A lot of our stuff comes out of the trash," says Coleff, who is 26 years old and also tends bar. "It's beat up and broken and people think it's out of style. We stain it, prime it and put it back together. Then I paint it with cool colors and designs."
The most expensive item in Heck's Revival is a $400 dresser that Coleff painted with a white background and a black outline of Marilyn Monroe's face. The least expensive items are old retro kitchen stuff that sell for a buck apiece.
"As new as we are, I thought it would have taken a lot longer to pick up. We've been doing really, really well," effuses Coleff, who aims to create a younger, more accessible kind of vintage retailer. "People like it enough to tell their friends."
Heck's Revival, which opened in mid-November, has regular hours on Mondays from 12-7 p.m., Wednesdays-Fridays from 12-5 p.m. and Saturdays from 12-4 p.m.
Source: Caley Coleff
Writer: Lee Chilcote
This month, Coleff unveiled a vintage store that pays tribute to those early experiences while adding her own unique twist. Located at 11102 Detroit Avenue in Cudell, Heck's Revival is named after her grandfather, whose last name was Heck.
"I started doing stuff from my home because you can't afford nice, well-made furniture anymore," she explains. "If you buy something it's the cheapo [stuff] that falls apart. I had a lot, so I started doing custom orders and selling to friends. I never realized I was actually good at it, I was just making stuff that I liked."
Then Coleff met her business partner, Jill Krznaric ("It's Croatian, even though I'm not"), and a business idea was born. Krznaric is into retro items like old barstools, while Coleff likes to take French Provincial furniture and paint it with cool designs. Together, they found a space with hardwood floors that they liked and signed a lease.
"A lot of our stuff comes out of the trash," says Coleff, who is 26 years old and also tends bar. "It's beat up and broken and people think it's out of style. We stain it, prime it and put it back together. Then I paint it with cool colors and designs."
The most expensive item in Heck's Revival is a $400 dresser that Coleff painted with a white background and a black outline of Marilyn Monroe's face. The least expensive items are old retro kitchen stuff that sell for a buck apiece.
"As new as we are, I thought it would have taken a lot longer to pick up. We've been doing really, really well," effuses Coleff, who aims to create a younger, more accessible kind of vintage retailer. "People like it enough to tell their friends."
Heck's Revival, which opened in mid-November, has regular hours on Mondays from 12-7 p.m., Wednesdays-Fridays from 12-5 p.m. and Saturdays from 12-4 p.m.
Source: Caley Coleff
Writer: Lee Chilcote
Cleveland’s contemporary art scene is thriving and growing, serving as a magnet for tourism while proving an economic engine for revitalizing the region. Newly reenergized by momentous advancements at CMA and MOCA -- and nurtured along by CIA -- the progressive arts scene is enjoying a renaissance.
It can be said that not only did Buck Harris live and work in Cleveland's Detroit Shoreway neighborhood before it was cool, he also had a hand in making the community cool in the first place.
Harris, a Lakewood native, has lived in the near west side neighborhood for 35 years, opening in 2002 a yoga studio called There’s No Place Like Om. Running a business at that time was a risk, but it wasn't the first Harris has taken when it comes to his beloved community. In 1992, he founded Bridge Brigade, "a guerilla-type community action group" created to push back against the crime that was inundating Bridge Avenue between W. 45th and W. 58th streets.
In those days, street corners were manned by gangs, drug dealers and prostitutes, while the surrounding neighborhood was blighted with dilapidated homes. Bridge Brigade members would patrol the streets in specially marked cars, using a CB radio to inform police of blatant criminal activity. Members also put up signs throughout the neighborhood to let drug dealers know they were being watched.
"We got chased a couple times," says Harris. "Things could get pretty hairy."
This year marked two milestones for Harris and his Bridge Brigade. The block group celebrated its 20th anniversary last summer with a street festival. In early November, the group's founder received an award for his good work from the Detroit Shoreway Community Development Organization.
Harris, who shared the community service award with life partner and fellow Bridge Brigade member Michael O'Connor, is proud to be one of Detroit Shoreway's "urban pioneers," he says. Along with the yoga studio, Harris also owned a restaurant in the neighborhood, and he's been thrilled to have been at ground zero for such area revitalization efforts as the Gordon Square Arts District.
Bridge Avenue, in particular, has seen an upswing with new townhouse projects and more. "I never would have believed the street would look like what it does today," says Harris. "There are people out jogging and walking. There was a time when people were afraid to walk around."
Ironically, the community's renewal is doing well to make Bridge Brigade nearly obsolete. "Attendance has definitely dropped," Harris says. "There's no longer a threat to fight."
That is not a bad problem to have, notes the block group founder. "I love the diversity here, and the proximity to West Side Market," says Harris. "Helping to create a neighborhood is a nice feather in my cap."
SOURCE: Buck Harris
WRITER: Douglas J. Guth
Harris, a Lakewood native, has lived in the near west side neighborhood for 35 years, opening in 2002 a yoga studio called There’s No Place Like Om. Running a business at that time was a risk, but it wasn't the first Harris has taken when it comes to his beloved community. In 1992, he founded Bridge Brigade, "a guerilla-type community action group" created to push back against the crime that was inundating Bridge Avenue between W. 45th and W. 58th streets.
In those days, street corners were manned by gangs, drug dealers and prostitutes, while the surrounding neighborhood was blighted with dilapidated homes. Bridge Brigade members would patrol the streets in specially marked cars, using a CB radio to inform police of blatant criminal activity. Members also put up signs throughout the neighborhood to let drug dealers know they were being watched.
"We got chased a couple times," says Harris. "Things could get pretty hairy."
This year marked two milestones for Harris and his Bridge Brigade. The block group celebrated its 20th anniversary last summer with a street festival. In early November, the group's founder received an award for his good work from the Detroit Shoreway Community Development Organization.
Harris, who shared the community service award with life partner and fellow Bridge Brigade member Michael O'Connor, is proud to be one of Detroit Shoreway's "urban pioneers," he says. Along with the yoga studio, Harris also owned a restaurant in the neighborhood, and he's been thrilled to have been at ground zero for such area revitalization efforts as the Gordon Square Arts District.
Bridge Avenue, in particular, has seen an upswing with new townhouse projects and more. "I never would have believed the street would look like what it does today," says Harris. "There are people out jogging and walking. There was a time when people were afraid to walk around."
Ironically, the community's renewal is doing well to make Bridge Brigade nearly obsolete. "Attendance has definitely dropped," Harris says. "There's no longer a threat to fight."
That is not a bad problem to have, notes the block group founder. "I love the diversity here, and the proximity to West Side Market," says Harris. "Helping to create a neighborhood is a nice feather in my cap."
SOURCE: Buck Harris
WRITER: Douglas J. Guth
Patrick Ciamacco loves the theater scene in Cleveland. However, he sometime finds himself visiting a venue only once a season, as programming tends to run with similar themes to the point where if Ciamacco has seen one show, he's seen them all.
There's nothing inherently wrong with that approach, but the Brunswick native wanted something more out of the stage experience. Thus, the creation of Blank Canvas Theatre, a so-called "Theatre for the People," which is wrapping up its inaugural season on Cleveland's West Side.
Ciamacco, Blank Canvas' founder and artistic director, says that 2012 has been a fun if stressful year. The theater opened in January with The Texas Chainsaw Musical, and is closing the year with Debbie Does Dallas: The Musical. In between all the blood-letting and singing were three additional shows, including the John Steinbeck classic, Of Mice and Men.
A wide range of shows available at affordable prices has attracted a young, diverse crowd to the new venue, says Ciamacco. "It takes years to build an audience, but with the quality of work we're doing, there's a kind of, 'If you build it, they will come' feeling," he says.
Ciamacco founded Blank Canvas partly as a performance space for The Laughter League, his Cleveland-based sketch-comedy group. The 78th Street Studios, an arts complex bustling with 40 galleries and studios, seemed like a great place to plant a new artistic foothold within the city.
The space is intimate, with no seat more than 15 feet from the stage. Starting off, Ciamacco received support from Cleveland's theater community in the form of tools, lighting and emotional support. The coming year will be spent improving the venue's infrastructure and bringing in a variety of new shows. There already are plans to bring back fan favorite Texas Chainsaw Musical next Halloween for a revival.
Eclectic programming will always be Blank Canvas Theatre's calling card, maintains Ciamacco. "We're going to have something to attract the atypical theater-goer, while trying to get the normal theater fan to go outside the box," he says.
SOURCE: Patrick Ciamacco
WRITER: Douglas J. Guth
There's nothing inherently wrong with that approach, but the Brunswick native wanted something more out of the stage experience. Thus, the creation of Blank Canvas Theatre, a so-called "Theatre for the People," which is wrapping up its inaugural season on Cleveland's West Side.
Ciamacco, Blank Canvas' founder and artistic director, says that 2012 has been a fun if stressful year. The theater opened in January with The Texas Chainsaw Musical, and is closing the year with Debbie Does Dallas: The Musical. In between all the blood-letting and singing were three additional shows, including the John Steinbeck classic, Of Mice and Men.
A wide range of shows available at affordable prices has attracted a young, diverse crowd to the new venue, says Ciamacco. "It takes years to build an audience, but with the quality of work we're doing, there's a kind of, 'If you build it, they will come' feeling," he says.
Ciamacco founded Blank Canvas partly as a performance space for The Laughter League, his Cleveland-based sketch-comedy group. The 78th Street Studios, an arts complex bustling with 40 galleries and studios, seemed like a great place to plant a new artistic foothold within the city.
The space is intimate, with no seat more than 15 feet from the stage. Starting off, Ciamacco received support from Cleveland's theater community in the form of tools, lighting and emotional support. The coming year will be spent improving the venue's infrastructure and bringing in a variety of new shows. There already are plans to bring back fan favorite Texas Chainsaw Musical next Halloween for a revival.
Eclectic programming will always be Blank Canvas Theatre's calling card, maintains Ciamacco. "We're going to have something to attract the atypical theater-goer, while trying to get the normal theater fan to go outside the box," he says.
SOURCE: Patrick Ciamacco
WRITER: Douglas J. Guth
Skull-faced children and adults danced through the streets of the Gordon Square Arts District last Saturday afternoon, followed by tall, cadaverous puppets and altars overflowing with flowers and other remembrances of those who have passed on to the next realm.
There was nothing to be afraid of, however; the macabre and colorful carrying-on was in celebration of the Day of the Dead, a Latin-American holiday that pays joyful homage to lost relatives. El Día de los Muertos is meant to be more reflective than sad or scary, says Hector Castellanos, the event's coordinator and artistic director.
This year's Cleveland-centric Day of the Dead festival drew a large crowd to the arts district on a chilly fall afternoon. Attendees enjoyed a parade, music, folk art and food truck fare. Castellanos doesn't have attendance figures yet, but the event has drawn between 1,200 and 1,400 people each of the last two years.
"People came from all over the region," he says. "There was a lot of energy and passion."
Gordon Square has hosted the Day of the Dead celebration for five years, with the festival marching through Cleveland's East Side the three years before that. While Cleveland's Latino population was well represented last weekend, many non-Latinos came for the festivities as well. There were many hands involved in building floats and making puppets. Area businesses got in on the fun, too, decorating storefronts with skulls and other symbols of the ancient holiday.
"The whole neighborhood got involved," says Castellanos, a native of Guatemala. "It's a powerful event."
Cleveland artist Bruce Buchanan built an altar representing the surrounding West Side neighborhood and the people who once lived there. The shrine is decorated with rows of colorful houses fronted by abstract skeletons, while tiny flags scrawled with the names of deceased former residents are placed on the alter along with offerings of food, flowers and candles.
"We're helping to build the neighborhood now, but these people built the neighborhood in the first place," says Buchanan. "That's something we should respect."
Meanwhile, Castellanos already is planning to make next year's celebration bigger and better. "It's spiritual and educational, with so much history behind it," he says. "It also brings the community together, and that's one of the most important aspects for me."
SOURCES: Hector Castellanos, Bruce Buchanan
WRITER: Douglas J. Guth
There was nothing to be afraid of, however; the macabre and colorful carrying-on was in celebration of the Day of the Dead, a Latin-American holiday that pays joyful homage to lost relatives. El Día de los Muertos is meant to be more reflective than sad or scary, says Hector Castellanos, the event's coordinator and artistic director.
This year's Cleveland-centric Day of the Dead festival drew a large crowd to the arts district on a chilly fall afternoon. Attendees enjoyed a parade, music, folk art and food truck fare. Castellanos doesn't have attendance figures yet, but the event has drawn between 1,200 and 1,400 people each of the last two years.
"People came from all over the region," he says. "There was a lot of energy and passion."
Gordon Square has hosted the Day of the Dead celebration for five years, with the festival marching through Cleveland's East Side the three years before that. While Cleveland's Latino population was well represented last weekend, many non-Latinos came for the festivities as well. There were many hands involved in building floats and making puppets. Area businesses got in on the fun, too, decorating storefronts with skulls and other symbols of the ancient holiday.
"The whole neighborhood got involved," says Castellanos, a native of Guatemala. "It's a powerful event."
Cleveland artist Bruce Buchanan built an altar representing the surrounding West Side neighborhood and the people who once lived there. The shrine is decorated with rows of colorful houses fronted by abstract skeletons, while tiny flags scrawled with the names of deceased former residents are placed on the alter along with offerings of food, flowers and candles.
"We're helping to build the neighborhood now, but these people built the neighborhood in the first place," says Buchanan. "That's something we should respect."
Meanwhile, Castellanos already is planning to make next year's celebration bigger and better. "It's spiritual and educational, with so much history behind it," he says. "It also brings the community together, and that's one of the most important aspects for me."
SOURCES: Hector Castellanos, Bruce Buchanan
WRITER: Douglas J. Guth
A school garden is a real, living world, a type of lab that offers teachers a way to embed creativity, collaboration and love for nature into their curriculum, believes Carlton Jackson, a farmer, self-described "food evangelist" and proprietor of Tunnel Vision Hoops, a provider of hoop houses that allow for year-round food production.
The Cleveland-based company is offering Cuyahoga County public school students grades K-8 a chance to win a hoop house for their school. The Gardens that Teach contest, which runs through February, asks students a series of questions about the preparation, construction and maintenance of a theoretical school garden. Answers will be reviewed by a panel of experts from the realms of food policy, botany and community gardening.
The winning school will receive the greenhouse-like hoop house, while the other participants will learn about the benefits of plants, year-round gardening and healthy eating, says Jackson. "We wanted kids to use their math skills," he adds. For example, "how many pounds of tomatoes can they get? What will the do with the food once it's grown?"
Hoop houses provide a high-temperature environment that protects crops from strong winds, cold and frost, allowing fruits and vegetables to grow during gardening's so-called "off-season," Jackson says.
The concept also is in line with the city's Sustainable Cleveland 2019 project, a movement that in part aims to increase the percentage of locally produced food. Mayor Frank Jackson also proclaimed October 24 to be Food Day, a national venture with the overriding objective of "eating real" and promoting healthy diets among the population.
The Gardens That Teach contest is certainly a nourishing exercise for Northeast Ohio's young students, says Jackson.
"There's a wonderment in watching something grow," he says. "If we can kids back to that, it would be a beautiful thing."
SOURCE: Carlton Jackson
WRITER: Douglas J. Guth
The Cleveland-based company is offering Cuyahoga County public school students grades K-8 a chance to win a hoop house for their school. The Gardens that Teach contest, which runs through February, asks students a series of questions about the preparation, construction and maintenance of a theoretical school garden. Answers will be reviewed by a panel of experts from the realms of food policy, botany and community gardening.
The winning school will receive the greenhouse-like hoop house, while the other participants will learn about the benefits of plants, year-round gardening and healthy eating, says Jackson. "We wanted kids to use their math skills," he adds. For example, "how many pounds of tomatoes can they get? What will the do with the food once it's grown?"
Hoop houses provide a high-temperature environment that protects crops from strong winds, cold and frost, allowing fruits and vegetables to grow during gardening's so-called "off-season," Jackson says.
The concept also is in line with the city's Sustainable Cleveland 2019 project, a movement that in part aims to increase the percentage of locally produced food. Mayor Frank Jackson also proclaimed October 24 to be Food Day, a national venture with the overriding objective of "eating real" and promoting healthy diets among the population.
The Gardens That Teach contest is certainly a nourishing exercise for Northeast Ohio's young students, says Jackson.
"There's a wonderment in watching something grow," he says. "If we can kids back to that, it would be a beautiful thing."
SOURCE: Carlton Jackson
WRITER: Douglas J. Guth
If children and the arts are two of a community's most precious commodities, then the Cleveland Foundation has got Northeast Ohio covered.
As part of an overall grantmaking surge totaling $21.6 million in grants to local nonprofit organizations, the foundation has authorized monies to separate programs focusing on youth development and arts and culture.
Boys and Girls Clubs of Cleveland received $250,000 to expand its reach, says foundation executive vice president Bob Eckardt. The grant will support after-school and summer activities at various club locations. It will also fund a development campaign seeking to raise money for general programming.
"We recognize that Cleveland's youth need more than just schools," says Eckardt. "There's a need for high-quality out-of-school programming."
On the cultural side of the slate, Cleveland Foundation continued its support of two capital campaigns in the arts - Gordon Square Arts District and the Power of Three: Allen Theatre Project. Each program was granted $250,000, bringing the foundation’s support for both campaigns to the $1 million level.
The Gordon Square district on Cleveland's West Side acts as an economic catalyst for the surrounding community, says Eckardt. The foundation's funding will solely be used for renovation of the Cleveland Public Theatre.
The Power of Three: The Allen Theatre Project, meanwhile, is a partnership among Cleveland State University, PlayhouseSquare and Cleveland Play House to build Allen Theatre into a multivenue performing arts and education complex.
Supporting the two arts programs was an easy call for the foundation. "Arts and culture is one of our strengths," Eckardt says, pointing to the thriving arts' enclaves in University Circle, downtown Cleveland and elsewhere. "It's part of our brand as a community and plays into or economic development strategy as a region."
SOURCE: Bob Eckardt
WRITER: Douglas J. Guth
As part of an overall grantmaking surge totaling $21.6 million in grants to local nonprofit organizations, the foundation has authorized monies to separate programs focusing on youth development and arts and culture.
Boys and Girls Clubs of Cleveland received $250,000 to expand its reach, says foundation executive vice president Bob Eckardt. The grant will support after-school and summer activities at various club locations. It will also fund a development campaign seeking to raise money for general programming.
"We recognize that Cleveland's youth need more than just schools," says Eckardt. "There's a need for high-quality out-of-school programming."
On the cultural side of the slate, Cleveland Foundation continued its support of two capital campaigns in the arts - Gordon Square Arts District and the Power of Three: Allen Theatre Project. Each program was granted $250,000, bringing the foundation’s support for both campaigns to the $1 million level.
The Gordon Square district on Cleveland's West Side acts as an economic catalyst for the surrounding community, says Eckardt. The foundation's funding will solely be used for renovation of the Cleveland Public Theatre.
The Power of Three: The Allen Theatre Project, meanwhile, is a partnership among Cleveland State University, PlayhouseSquare and Cleveland Play House to build Allen Theatre into a multivenue performing arts and education complex.
Supporting the two arts programs was an easy call for the foundation. "Arts and culture is one of our strengths," Eckardt says, pointing to the thriving arts' enclaves in University Circle, downtown Cleveland and elsewhere. "It's part of our brand as a community and plays into or economic development strategy as a region."
SOURCE: Bob Eckardt
WRITER: Douglas J. Guth
msn travel writer calls cleveland 'america's big comeback story'
Writing for MSN Travel, Ken Hegan, a screenwriter and journalist, calls Cleveland "America's big comeback story."
"Never thought I'd ever say this but I just fell in love with Cleveland, Ohio. Now I kinda want to move there," he writes.
Following a brief and painful history lesson, Hegan gets to the good stuff:
"The city's entering a period of 'unprecedented growth. The river's cleaned up, there's a thriving medical industry, houses are cheap, artists can rent old brick warehouse spaces for the price of a Manhattan coffee, the city's enjoying a culinary boom, plus there's a museum devoted to polka music and a festival celebrating duct tape."
"The city's rebuilding and expanding with billions of dollars in new tourism infrastructure that includes a $26-million Museum of Art, new boutique hotels, a new medical convention center... The city is also looking forward to hosting the Summer National Senior Games (July 2013), and The International Gay Games (2014)."
Hegan closes with a bold assertion:
"If I was an artist in America right now (or anyone who wants to live cheaply in The Next Great American City), I wouldn't pay a fortune to starve in Brooklyn. Instead, I'd live like a king, rent an inexpensive brick Cleveland studio, and turn that into a factory of art."
Read the rest here.
"Never thought I'd ever say this but I just fell in love with Cleveland, Ohio. Now I kinda want to move there," he writes.
Following a brief and painful history lesson, Hegan gets to the good stuff:
"The city's entering a period of 'unprecedented growth. The river's cleaned up, there's a thriving medical industry, houses are cheap, artists can rent old brick warehouse spaces for the price of a Manhattan coffee, the city's enjoying a culinary boom, plus there's a museum devoted to polka music and a festival celebrating duct tape."
"The city's rebuilding and expanding with billions of dollars in new tourism infrastructure that includes a $26-million Museum of Art, new boutique hotels, a new medical convention center... The city is also looking forward to hosting the Summer National Senior Games (July 2013), and The International Gay Games (2014)."
Hegan closes with a bold assertion:
"If I was an artist in America right now (or anyone who wants to live cheaply in The Next Great American City), I wouldn't pay a fortune to starve in Brooklyn. Instead, I'd live like a king, rent an inexpensive brick Cleveland studio, and turn that into a factory of art."
Read the rest here.
The Cleveland-Cuyahoga County Port Authority is asking voters to vote "Yes" on Issue 108, a levy that would cost property owners roughly $20 a year per $100,000. Fresh Water discusses the importance of the levy and more with Port President and CEO William Friedman.
Gypsy Beans and Baking Company, the popular cafe that has become a hub in the Gordon Square Arts District, is expanding to a second location. Owner Nicole Gillota's homemade pastries, signature Passport coffee drinks, and soups and sandwiches will soon be available in Lakewood when Gypsy takes over the Beck Center Cafe on Detroit Avenue.
Gillota, who opened Gypsy in 2007 with a "monster kitchen" primed for growth, says that she began hunting for a second spot last year. When the Beck Center Cafe became available and the managers called her, it was a "no-brainer."
"I love being part of the theatre community," says Gillota. "One of the reasons I was attracted to Gordon Square was because of Cleveland Public Theatre. There's always been a good synergy between the theatre crowd and the coffee crowd."
Fortunately, the Beck Center space doesn't need much renovation because former manager and art dealer Paul Sykes did a great job fixing it up. "It's absolutely beautiful," says Gillota, noting that she'll keep the waterfall feature.
Gillota expects to feature many similar menu items to Gypsy Beans in Detroit Shoreway, but will add new dessert items, as well. "The space is a little bit more refined, and we're going to cater to the after-dinner theatre crowd there, as well."
Yet Gypsy's unmistakable brand -- as a community nexus that combines fresh food, great coffee and made-from-scratch pastries -- isn't going anywhere. "I think we're an all-inclusive, all-encompassing spot," Gillota says. "I love that."
Source: Nicole Gillota
Writer: Lee Chilcote
Gillota, who opened Gypsy in 2007 with a "monster kitchen" primed for growth, says that she began hunting for a second spot last year. When the Beck Center Cafe became available and the managers called her, it was a "no-brainer."
"I love being part of the theatre community," says Gillota. "One of the reasons I was attracted to Gordon Square was because of Cleveland Public Theatre. There's always been a good synergy between the theatre crowd and the coffee crowd."
Fortunately, the Beck Center space doesn't need much renovation because former manager and art dealer Paul Sykes did a great job fixing it up. "It's absolutely beautiful," says Gillota, noting that she'll keep the waterfall feature.
Gillota expects to feature many similar menu items to Gypsy Beans in Detroit Shoreway, but will add new dessert items, as well. "The space is a little bit more refined, and we're going to cater to the after-dinner theatre crowd there, as well."
Yet Gypsy's unmistakable brand -- as a community nexus that combines fresh food, great coffee and made-from-scratch pastries -- isn't going anywhere. "I think we're an all-inclusive, all-encompassing spot," Gillota says. "I love that."
Source: Nicole Gillota
Writer: Lee Chilcote
cleveland, among best beer cities in the states
As part of a comprehensive feature on beer in America GQ magazine included a listing of "The 5 Best Beer Cities in America." Cleveland landed on that coveted list.
"The U.S. of A. is going through a beer revolution -- pledge allegiance (and raise a glass) to our country's capitals of brew," begins the thirst-quenching feature.
In regards to Cleveland, which the mag classifies as "The Old-School Beertown," William Bostwick writes, "A hard-working frontier town built on booze (one of its earliest businesses was a distillery on downtown's Whiskey Island), Cleveland has no truck with pretension. Just want a damn beer? You got it: a nice cold lager, clean, bright, balanced. But this is Cleveland, so the beer is Dortmunder Gold from Great Lakes Brewing Co., the best of its kind this side of the Rhine. In a city where you can watch the symphony orchestra while eating a burger at the Happy Dog bar, the beer is top-notch but down to earth, a welcome respite from snootier beer meccas on the coasts. Market Garden's brown ale is the country's best; the pedal-in bar Nano Brew Cleveland will pour you a bready amber ale while they tune your bike; even Heinen's, the (proudly) family-run grocery chain fills growlers."
Read the rest here.
"The U.S. of A. is going through a beer revolution -- pledge allegiance (and raise a glass) to our country's capitals of brew," begins the thirst-quenching feature.
In regards to Cleveland, which the mag classifies as "The Old-School Beertown," William Bostwick writes, "A hard-working frontier town built on booze (one of its earliest businesses was a distillery on downtown's Whiskey Island), Cleveland has no truck with pretension. Just want a damn beer? You got it: a nice cold lager, clean, bright, balanced. But this is Cleveland, so the beer is Dortmunder Gold from Great Lakes Brewing Co., the best of its kind this side of the Rhine. In a city where you can watch the symphony orchestra while eating a burger at the Happy Dog bar, the beer is top-notch but down to earth, a welcome respite from snootier beer meccas on the coasts. Market Garden's brown ale is the country's best; the pedal-in bar Nano Brew Cleveland will pour you a bready amber ale while they tune your bike; even Heinen's, the (proudly) family-run grocery chain fills growlers."
Read the rest here.
A parent can cover their child's eyes when there is violence on television, but who will do that for a child when they're exposed to real-life trauma? That is the question United Way is answering with its 2-1-1 community access line, a 24-hour help number that's part of Cuyahoga County’s Defending Childhood initiative.
United States Attorney General Eric Holder and Cuyahoga County Executive Edward FitzGerald hosted a news conference September 28 at Martin Luther King Jr. High School to announce a $2 million Justice Department grant that will aid Defending Childhood programs including the community access line.
The phone line is manned by United Way staff members. These trained staffers determine if Defending Childhood services can help a child who has witnessed violence or experienced trauma. Diagnosing and treating children who have lived through violence can be a significant step in helping them avoid trouble later in life, says Stephen Wertheim, president/CEO of United Way.
"The trauma a kid goes through can impact their function in society," Wertheim says. "We're trying to get to these problems at the root."
While at the high school event, Holder participated in a round-table discussion with students and teachers. He later met with a group of law enforcement officers and social workers that were also on hand.
The impact of violence on children has reached "national crisis" proportions, Holder told the audience during the Sept. 28 conference. Assessing and screening the young people victimized by violence must take precedence over merely prosecuting those perpetrating the trauma.
Studies have shown how post-traumatic stress can negatively effect children, says FitzGerald.
"If a child witnesses horrific acts of violence, they're more likely to be involved in the justice system themselves," says the county executive. Through a preventative measure like the 2-1-1 help line, "the idea is to increase public safety rather than just incarcerating everyone."
SOURCE: Stephen Wertheim, Ed FitzGerald
WRITER: Douglas J. Guth
United States Attorney General Eric Holder and Cuyahoga County Executive Edward FitzGerald hosted a news conference September 28 at Martin Luther King Jr. High School to announce a $2 million Justice Department grant that will aid Defending Childhood programs including the community access line.
The phone line is manned by United Way staff members. These trained staffers determine if Defending Childhood services can help a child who has witnessed violence or experienced trauma. Diagnosing and treating children who have lived through violence can be a significant step in helping them avoid trouble later in life, says Stephen Wertheim, president/CEO of United Way.
"The trauma a kid goes through can impact their function in society," Wertheim says. "We're trying to get to these problems at the root."
While at the high school event, Holder participated in a round-table discussion with students and teachers. He later met with a group of law enforcement officers and social workers that were also on hand.
The impact of violence on children has reached "national crisis" proportions, Holder told the audience during the Sept. 28 conference. Assessing and screening the young people victimized by violence must take precedence over merely prosecuting those perpetrating the trauma.
Studies have shown how post-traumatic stress can negatively effect children, says FitzGerald.
"If a child witnesses horrific acts of violence, they're more likely to be involved in the justice system themselves," says the county executive. Through a preventative measure like the 2-1-1 help line, "the idea is to increase public safety rather than just incarcerating everyone."
SOURCE: Stephen Wertheim, Ed FitzGerald
WRITER: Douglas J. Guth