Each year in Cuyahoga County, 20 fortunate artists are awarded $20,000 Creative Workforce Fellowship grants to pursue their art, which often takes a back seat to more pressing needs. The fellowships also help to brand the region to outsiders as an artist-friendly place to live.

The legal and arts world don't seem like a natural pair, barring the occasional tabloid story about a drug-addled starlet backing her BMW into a police car.

The Volunteer Lawyers for the Arts Committee (VLA) is bringing those realms together in a more positive fashion by providing the local arts community information about the law as well as free access to legal services.

VLA, a committee of the Cleveland Metropolitan Bar Association, refers low-income artists and arts organizations to lawyers for pro bono legal representation, gives informational talks to artists and arts groups, and presents legal seminars to lawyers regarding the arts.

In other words, if an artist needs legal advice about starting a nonprofit arts organization, protecting a copyright, or even forming a band, he or she can turn to VLA, says chairman Todd Masuda, an attorney with Schneider, Smeltz, Ranney & LaFond.

"It's by-need legal work," Masuda says. "Our attorneys will review applications and determine if they meet our criteria" of financial need and relation to the arts.

VLA recently gave a talk to lawyers at the new MOCA. The organization is planning a spring seminar for artists on nonprofit formation issues and health insurance options for the underemployed. 

Steve Day, a VLA volunteer and attorney with Calfee, Halter & Griswold, believes the arts-law connection is an important one for Cleveland.

"If you want an attractive city, you need a lively, vibrant arts community," says Day. "We're helping artists navigate legal roadblocks that would be too expensive for them to handle otherwise."

 
SOURCE: Todd Masuda, Steve Day
WRITER: Douglas J. Guth

Recent transplants to Cleveland arriving from so-called "big-ticket" metropolitan markets say that they are experiencing appreciable cost savings in terms of housing, transportation, entertainment and food. And that translates to a better standard of life with little lost in terms of quantity and quality of offerings.

To be truly successful at neighborhood redevelopment, CDCs must change how they do business, says Joel Ratner, president of Neighborhood Progress Inc. They must adopt a holistic strategy that combines bricks-and-mortar development with high-performing schools, social services, and other amenities that residents need and want. 

Seven is a lucky number for North Collinwood's burgeoning arts community, as a like-numbered group of the neighborhood's creative thinkers recently received grants from the Community Partnership for Arts and Culture (CPAC).

The seven artists, most working out of North Collinwood's Waterloo Arts and Entertainment District as part of CPAC's "Artists in Residence" initiative, will get a total of $45,000 in funding for projects including a music education series for local children and an "intergenerational story circle" starring some of the community elderly residents, says CPAC strategic initiative director Seth Beattie.

The grants will address community priorities through arts activities between this month and the end of March. Overarching themes of the grant cycle are residents, community assets and youth involvement. CPAC is awarding the grants in conjunction with the nonprofit Northeast Shores Development Corporation.

"We had 30 proposals this time around," says Beattie of CPAC's second of three grant periods; the third round will come next spring. "These particular ones rose to the top."

The grants are a component of the Artists in Residence program, which is using the North Collinwood neighborhood as "a laboratory" for increasing artists’ engagement with the population, says CPAC president and CEO Tom Schorgl. Area painters, sculptors, videographers and musicians are given perks like affordable housing with the hope they will be a major participant in neighborhood revitalization.

"Artists want communities where they can live affordably with a great quality of life," says Beattie. "They can be a tremendous force in absorbing space in the neighborhood. Collinwood is poised to see a dramatic turnaround in the coming years."

The Waterloo Road arts district can be part of that transformation, with CPAC's latest granting round a good beginning on getting that done, believe the organization's leaders.

"We're marrying strengths here," Beattie says. "It's about money and developing a system of support that helps artists build up projects now and in the future."

 
SOURCE: Tom Schorgl, Seth Beattie
WRITER: Douglas J. Guth

Cleveland’s contemporary art scene is thriving and growing, serving as a magnet for tourism while proving an economic engine for revitalizing the region. Newly reenergized by momentous advancements at CMA and MOCA -- and nurtured along by CIA -- the progressive arts scene is enjoying a renaissance.

A school garden is a real, living world, a type of lab that offers teachers a way to embed creativity, collaboration and love for nature into their curriculum, believes Carlton Jackson, a farmer, self-described "food evangelist" and proprietor of Tunnel Vision Hoops, a provider of hoop houses that allow for year-round food production.
 
The Cleveland-based company is offering Cuyahoga County public school students grades K-8 a chance to win a hoop house for their school. The Gardens that Teach contest, which runs through February, asks students a series of questions about the preparation, construction and maintenance of a theoretical school garden. Answers will be reviewed by a panel of experts from the realms of food policy, botany and community gardening.
 
The winning school will receive the greenhouse-like hoop house, while the other participants will learn about the benefits of plants, year-round gardening and healthy eating, says Jackson. "We wanted kids to use their math skills," he adds. For example, "how many pounds of tomatoes can they get? What will the do with the food once it's grown?"
 
Hoop houses provide a high-temperature environment that protects crops from strong winds, cold and frost, allowing fruits and vegetables to grow during gardening's so-called "off-season," Jackson says.
 
The concept also is in line with the city's Sustainable Cleveland 2019 project, a movement that in part aims to increase the percentage of locally produced food. Mayor Frank Jackson also proclaimed October 24 to be Food Day, a national venture with the overriding objective of "eating real" and promoting healthy diets among the population.
 
The Gardens That Teach contest is certainly a nourishing exercise for Northeast Ohio's young students, says Jackson.
 
"There's a wonderment in watching something grow," he says. "If we can kids back to that, it would be a beautiful thing."
 

SOURCE: Carlton Jackson
WRITER: Douglas J. Guth

Team Wendy, a designer and manufacturer of multiple-application products that serve to protect against serious and potentially life-threatening impact-related injuries, is returning to where it began with the release of a new and complete helmet solution, the EXFIL. 

The company developed and manufactured its line of W Helmets for the skiing, biking and multi-sport markets from 1998 to 2004 before moving away from complete helmet solutions and into helmet liner protection systems for the U.S. military. The company has supplied the U.S. military with more than five million Zorbium Action Pad (ZAP) protection systems since 2005. 
  
Team Wendy’s new helmet uses technology partially developed through collaboration on a key U.S. Army Natick Soldier RD&E Center program. The helmet features a hybrid sling/polymer structure impact management system that stands up to multiple impacts.

“With the EXFIL, we are not only excited about a return to complete helmet solutions but we are also pleased with our ongoing advancements in liner protection technology,” says CEO Jose Rizo-Patron.
 
While Team Wendy continues to produce the seven-pad ZAP sets for standard issue military helmets, they are also now assembling the new EXFIL helmet at its 50,000-square-foot Collinwood facility. “We really make it a concerted effort to stay local,” says Rizo-Patron. “Cleveland and greater Northeast Ohio’s strong manufacturing and engineering roots allow us to maintain a hiring pool that is largely local.  The majority of our vendors are also companies based in Ohio.”
 
Team Wendy consistently employs between 50 and 75 people in pre-assembly, final assembly and fabrication jobs. The company also works with local and state universities and design institutes to recruit new talent.


Source: Jose Rizo-Patron
Writer: Karin Connelly

The Cleveland Foodbank has a message for Cuyahoga County children as they head into another school year: "You will never go hungry."

The nonprofit food distributor is fulfilling this promise through its annual "Backpack for Kids" program. Throughout the academic year, the Foodbank will partner with 30 schools and afterschool programs to provide children with nutritious meals, says Karen Pozna, the organization's director of communications.

"There are too many kids in Cleveland who don't know where their next meal is coming from," says Pozna.

The program works like this: At the end of each week, backpacks filled with healthy food are discreetly handed out to school children to take home over the weekend. The packages are made up of a variety of items -- cereal, tuna, peanut butter, beef stew, canned vegetables and fruit, soup, pasta, and a kid-friendly treat like peanut butter crackers or yogurt snacks. Each child receives enough food for six full meals.

Food banks across the U.S. are involved with the initiative, notes Pozna. On average, the Cleveland chapter's Backpack for Kids program provides about 3,000 backpacks each week.

Good eating habits are a critical facet of academic success, Pozna says. The backpack program began after teachers noticed their students were coming into school on Mondays feeling sick from lack of proper meals over the weekend.

Statistics further reflect the need for the program, says the Foodbank spokesperson. About 28 percent of Cuyahoga County children under the age of 18 lived in poverty last year, says Pozna. In addition, one third of recipients at local hunger centers are children.

Back-to-school season can be a particularly difficult time for low income families trying to put three square meals on the table each day. "Kids are getting lunch and breakfast at school, but they don't always get proper nutrition at home," Pozna says.


Source: Karen Pozna
Writer: Douglas Guth

The Cleveland Foodbank has received a $325,000 grant from the Cleveland Foundation that will go towards the cost of expanding its freezer and cooler to provide more fresh produce to families in need.

"Clearly, there's a need and gap in our area," says Karen Pozna, Director of Communications with the Foodbank, citing an annual "meal gap" of 57 million meals in the six Northeast Ohio counties the nonprofit serves. "One of the ways to address it is to distribute more fresh produce, because it's more available and it's also more nutritious."

Food banks across the U.S. have evolved a great deal in recent decades, Pozna says. Although donations of canned goods are still very much needed and accepted, these nonprofits have shifted their focus to trying to get fresh produce into the hands of the families that would benefit from it most. The Foodbank accepts donations from farmers and purchases some produce wholesale.

"Last year, we distributed over 11 million pounds of produce," says Pozna. "We work with over 600 food pantries across Northeast Ohio. We also have 12 trucks at our facility that help distribute produce and other foods to various locations."

The Cleveland Foodbank built a new facility in North Collinwood in 2005, yet it has outgrown its cooler and freezer space as the number of families in need has continued to rise throughout the recession. The Foodbank has the room to expand at its current location, and plans to build an addition to its current building.

Pozna says that Foodbank hopes to raise another another $400,000 this fall so that it can break ground before the holidays. The total cost of the project is over $2 million, and leaders would like to raise $1 million before starting the project. The nonprofit's goal is to have the new freezer and cooler open by June 2013.


Source: Karen Pozna
Writer: Lee Chilcote

A parent can cover their child's eyes when there is violence on television, but who will do that for a child when they're exposed to real-life trauma? That is the question United Way is answering with its 2-1-1 community access line, a 24-hour help number that's part of Cuyahoga County’s Defending Childhood initiative.

United States Attorney General Eric Holder and Cuyahoga County Executive Edward FitzGerald hosted a news conference September 28 at Martin Luther King Jr. High School to announce a $2 million Justice Department grant that will aid Defending Childhood programs including the community access line.

The phone line is manned by United Way staff members. These trained staffers determine if Defending Childhood services can help a child who has witnessed violence or experienced trauma. Diagnosing and treating children who have lived through violence can be a significant step in helping them avoid trouble later in life, says Stephen Wertheim, president/CEO of United Way.

 "The trauma a kid goes through can impact their function in society," Wertheim says. "We're trying to get to these problems at the root."

While at the high school event, Holder participated in a round-table discussion with students and teachers. He later met with a group of law enforcement officers and social workers that were also on hand.

The impact of violence on children has reached "national crisis" proportions, Holder told the audience during the Sept. 28 conference. Assessing and screening the young people victimized by violence must take precedence over merely prosecuting those perpetrating the trauma.

Studies have shown how post-traumatic stress can negatively effect children, says FitzGerald. 

"If a child witnesses horrific acts of violence, they're more likely to be involved in the justice system themselves," says the county executive. Through a preventative measure like the 2-1-1 help line, "the idea is to increase public safety rather than just incarcerating everyone."

 
SOURCE: Stephen Wertheim, Ed FitzGerald
WRITER: Douglas J. Guth

The way Beachland Ballroom owner Cindy Barber sees it, Cleveland's music glory days are far from over. Yet our music scene could use some better amplification. That's why Barber has created a new nonprofit, Cleveland Rocks: Past, Present and Future, to preserve the legacy of the city's rock-and-roll history while also promoting and shaping its future.

"The past is the legacy project of capturing Cleveland music history, the present is documenting what's happening now, and the future is figuring out what we need to do to grow it," says Barber. "There's already a huge amount of music business here. We need to take stock of what we have and what we're missing."

Barber cites music business startups like Gotta Groove Records, Fortune Drums, Audio Technica and Dr. Z Amplification as success stories. She also wants to highlight the local bands that are touring and getting signed nationally.

"The plan is to create a website to highlight the bands that are getting attention," she says. "If they're out touring the world, they can bring that energy back to share with other people in Cleveland and grow the music business here."

To kick off the project, Barber and others are organizing a series of live interviews with local legends that played a role in Cleveland music history. The first event is scheduled to place on Saturday, November 3rd at 1 p.m. at the Beachland Ballroom. Tickets cost $15 and include lunch and the opportunity to participate as Larry Bruner, former booking manager for the 1960s folk music venue La Cav, is interviewed by Steve Traina, DJ for the WCSB radio show "Steve's Folk."

Future plans include working with the Rock Hall to preserve oral histories and promote live music, helping musicians identify investment sources for growing their bands or recording albums, and marketing the music industry here.

"All the clubs that came together as part of the Cleveland Music Coalition [to challenge the city's admissions tax] are part of this," says Barber. "We want to use the nonprofit to support what they're doing to create live music in Cleveland."


Source: Cindy Barber
Writer: Lee Chilcote

For the next three months, artists from Sri Lanka, India, Armenia, Mexico and Chile will bring their talents, experiences and cultures to Cleveland through The Cleveland Foundation's international artist-in-residence program, Creative Fusion.

"The Cleveland Foundation does have a globalization agenda for Cleveland, and we think it's important for Clevelanders to see the city as a global, international city and that the rest of the world see us that way, too," says Kathleen Cerveny, Director of Institutional Learning and Arts Initiatives for the foundation. "The arts are a great tool to promote international understanding and exchange."

Creative Fusion brings in five international artists for a three-month stay in Cleveland. The program has been in the pilot phase for the last three years, and this year's roster of artists represents a complete relaunch for the initiative.

"Traditionally, arts organizations will bring in international artists, but there's very little lasting impact," says Cerveny. "We wanted to bring artists here for a longer period of time, especially cultures that are not represented in Cleveland."

While Creative Fusion artists are embedded within a cultural organization, they are required to complete community engagement activities and interact with the local artistic community. Cerveny says that the artists have gotten right to work.

"There's an Indian choreographer at the Rainey Institute who has been here a week and a day, and he's already taught two classes at Hathaway Brown and worked with inner-city kids at Rainey. This program has a significant impact."

Many of the artists consider Cleveland "a second home" after living here, she adds.

The artists are being hosted by Inlet Dance Theatre, Rainey Institute, Trinity Cathedral, Young Audiences and Zygote Press. More information about the Creative Fusion artists can be found on the Cleveland Foundation's website.


Source: Kathleen Cerveny
Writer: Lee Chilcote

Like many foundations, the Saint Luke's Foundation in Cleveland has emerged from the recession with a narrower yet deeper approach to grantmaking. Beginning this year, the foundation has eschewed responsive grantmaking for targeted grants in three primary areas: health, communities and families.

"This year our foundation turned 15, and as we thought about what our successes had been and how to serve the community in the best way possible, there was interest in focusing more narrowly," says LaTida Smith, Vice President of Programming, Outcomes and Learning at the foundation.

The change has been both challenging and rewarding. "This year, we're narrowing and doing responsive grantmaking at the same time," says Smith. "There are some projects we've funded in the past that we won't be able to fund anymore, and even though we've narrowed to three areas, those challenges are still broad."

One area where Smith says the foundation has been innovative and successful is in advancing the understanding of community health. The Cuyahoga County Board of Health was awarded a grant to develop its capacity to complete health impact assessments -- basically, determinations of how planning and redevelopment decisions impact neighborhood health -- while the "Place Matters" speaker series at the City Club prompted a broad discussion of place-based health disparities.

Examples of the foundation's changed grantmaking strategy include an increased emphasis on strengthening families -- as opposed to simply helping kids or adults in isolation -- and a strong commitment to the neighborhoods around the former Saint Luke's Hospital (Buckeye, Larchmere and Shaker Square in particular).


Source: LaTida Smith
Writer: Lee Chilcote

In recent years, Cleveland Municipal School District has opened 14 new high-performing public schools rated Excellent or Effective by the State. The Cleveland Plan, approved this summer by state legislators, will pave the way for even more improvements to the district's schools, making it more likely that urban parents will choose to remain in the city.

An innovative software program developed by the Center for Urban Poverty at Case Western Reserve University is helping Cleveland neighborhood development practitioners reinvent their urban communities in strategic, data-driven ways.

NEO CANDO, a publicly accessible database, provides one-stop-shopping for anyone looking to research property information in their neighborhood. The site allows users to go beyond researching individual properties and look at snapshots of neighborhoods -- including which properties are at risk of foreclosure and which have been condemned. The site also contains social, economic and census data.

"In the past, information was collected from multiple websites, and by the time it was assembled, it was out of date," says Mike Schramm, a Research Associate in the Center on Urban Poverty in the Mandel School of Applied Social Sciences at CWRU. "We bring data together across domains. Our mission is to democratize data and to create data-driven decisions by both nonprofits and government."

In practice, NEO CANDO is used by foreclosure prevention agencies to research which properties are in danger of going into foreclosure. Armed with this info, grassroots groups can knock on the owner's door and attempt to intervene, thus hopefully preventing another vacant, bank-owned home in the neighborhood.

The information is also used to focus on areas with strategic assets in an effort to better protect them. "You need to know that the house across street from that recently rehabbed home is in foreclosure -- and then do something about it."

Projects like NEO CANDO are helping to facilitate a shift within the community development field towards creating more strategic, placemaking investments.


Source: Mike Schramm
Writer: Lee Chilcote

When musician educators with Roots of American Music hold workshops in Cleveland public schools, it almost goes without saying that they are entering a place that doesn't have a full-time music teacher. Most cannot afford to hire full-time music staff, so they rely on part-time faculty and visiting artists.

The 14-year-old nonprofit organization educates more than 15,000 students throughout Northeast Ohio each year, teaching social studies, financial literacy and health education through music.

"We do a lot of songwriting about topics that are important to kids," says Kevin Richards, ROAM's Director. "They work with authentic artist-educators who not only can teach but are also bluesmen, Cajun zydeco artists or rappers."

Richards likens ROAM's educational approach to parents who disguise healthy foods to get their kids to eat them. In general, the artists have little trouble convincing kids to participate. "Kids don't realize they're getting an academic message at the same time as they're fooling around with traditional music."

ROAM's curriculum has changed as educational goals have evolved. When Richards created the organization, the focus was on teaching social studies. Today, such staple courses are supplemented with programs about financial literacy and health education (the latter is in partnership with the Cleveland Clinic).

One popular program called "On the Move" teaches students in the Central neighborhood of Cleveland about migration patterns throughout history. Students learn the song "Kansas City" and change the lyrics to fit their family's story.

Roots of American Music will host its 13th annual Benefit for Education on Saturday, October 6th at the Beachland Ballroom. Multi-award-winning Austin singer-songwriter Guy Forsythe is the headliner. The tickets are $125 for VIP access including dinner and preferred seating, or $15 for the concert only.


Source: Kevin Richards
Writer: Lee Chilcote