Cuyahoga County residents are going green by banding together to reap the benefits of solar energy — and they're saving plenty of green as well.

On Friday, March 17, from 5 – 9 p.m., legendary local artist Shirley Aley Campbell’s rarely exhibited collection, “The Motorcyclists of the Seventies” will be on display at 78^th Street Studios in the second floor corridor and Suite 215.
 
The 13 large scale oil paintings were commissioned by local businessman Joseph Erdelac in 1973 and were completed in 1981. The resulting works are utterly captivating on their own, but they take on new dimension considering the background stories of the riders, which include "The Flying Angel" Debbie Lawler, who was a noted and prolific motorcycle jumper at a time when few women could successfully compete with the likes of Evel Knievel; America's “First Lady of Motorcycling” — pink Harley-riding Dot Robinson; and John Knoble and Bob 'Laco' Lawrence of the Hell's Angels Los Angeles Motorcycle Club.
 
Gene Wirwah, legal counsel for the American Motorcycle Association, helped Campbell choose her subjects.
 
Campbell, a 1947 Cleveland Institute of Art grad and 1986 Cleveland Arts Prize recipient, has work in the collections of the Cleveland Museum of Art, the Butler Institute of American Art and Case Western Reserve University, as well as private collections throughout the United States. Her work has been exhibited at major museums throughout the country.
 
"Motorcycles" will be on view through April 8 and will return this summer. Campbell will be on hand for tomorrow's opening to meet and chat with attendees and discuss her work.
 
For more information contact 78th Street Studios director Daniel Bush at 440-503-5506 or dan@78thstreetstudios.com.

 

Billed as "Palettes for the Senses: Art + Scent Demystified," HEDGE Gallery's new show may be described any number of ways, but "demystified" probably isn't among them. Instead, the visual and olfactory show evokes things profoundly mystifying.
 
A collection of 11 local and national artists presents works in various media, each of which is paired with a scent carefully curated by Ann Bouterse of Indigo Perfumery.
 
Next to each offering, a glass cloche upon a pedestal houses a vial of perfume. Visitors are invited to lift the dome and inhale deeply of its upturned interior. The scents are immersive to the point of sensuality and beyond. They also impart an unexpected new dimension to the artworks that is surprisingly effective.
 
Try Nikki Woods' Sugar Shack paired with Sulmona by Coquillete Paris, Liz Maugens' Fractured Atlas and funky neon Facts of Life accented by Molecule 02 by Escentric Molecules or Rebecca Cross's Sheild (pink spikes) and Shield (green spikes) floating upon notes of Dupont Circle by monsillage.
 
This author will not attempt the journalistic version of a "dancing about architecture" faux pas and apply awkward descriptions to these transcendent and unique perfumes. Suffice it to say when you leave the show, the quiet and personal experience stays with you like the impression of a lover's gentle lips.
 
Readers are invited to judge for themselves at the opening reception tonight from 5 to 9 p.m. A  when Bouterse of Indigo will be present to discuss the creation of custom fragrances and the complex nature of the scents she curated for the show. This event is free and open to the public.
 
The gallery's regular hours are Tuesday through Friday: 11 a.m. to 5 p.m. and every third Friday from 11 a.m. to 9 p.m. Weekends and evenings by appointment. HEDGE is on the second floor of the 78th Street Studios.
 
"Palettes for the Senses: Art + Scent Demystified" will be on view through March 3.
 

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